Second Year Seminar
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One of the required courses here at Jhop is the "Second Year Seminar". The
class is a proving ground for my fellow graduate students and I to present
a topic of interest to one another.
Instead of boring my classmates with a talk about the Standard Model or
"My Bitchin' Summer at Fermilab", I prepared a talk on a topic that interests
me.
I had several questions about the technology that went into the recording and
reproduction of music. I 8researched the technology and physics that are
involved in storing music data on vinyl records, compact disks, and mini
disks. Although some may call it pseudo-science,
I was surprised at how much technology and real physics is involved in
getting our music to disk. The presentation slides are below.
I should note (for the linux geeks out there) that this presentation was
created using LaTex and a package called
prosper. It is a great package
and makes a handsome presentation without having to bow down to The Man.
I've also included the LaTeX source file for the presentation for those
interested in looking at how Prosper works.
| Subject |
Format |
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Audio Data Storage |
PDF |
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Audio Data Storage: LaTeX Source File |
TEX |
Other links to images of CDs and the like are listed below:
Teaching Assignments
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| Subject |
Description |
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Physics for Scientists and Engineers |
Homepage |
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Classic Electrodynamics |
Homepage |
Extragalactic Astronomy
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A group of my classmates and I worked on a project studying the
clustering characteristics of quasars using data from the Sloan
Digital Sky Survey. My group consisted of Mariko Ninomiya and Urmila
Padmanabhan. A postscript version of the study is available here.
| Subject |
Format |
|
QSO Clustering in Preliminary SDSS Data |
|
HTML |
University of Utah: Cosmic Ray
|
(from spring 2000)
I am working in the
Cosmic Ray research group. I have been mostly involved with
atmospheric monitoring in conjunction with the HiRes experiment.
I am working with my professor, Lawrence Wiencke
and another undergraduate student, Richard Gray.
During the summer of 1999 we
attended a couple of conferences. The following are papers that were
written for each of those conferences.
- SPIE Paper (postscript)
- ICRC Hardware Paper
(postscript)
- ICRC Analysis Paper
(postscript)
The papers detail the construction, operation, and analysis relating to
a remotely operated steerable laser system that we built and installed
at Dugway Proving Grounds, in the West Utah desert. The laser was installed
in 1998 and has been running rather reliably ever since.
Another project that I am currently involved with is the simulation of
laser tracks using a MonteCarlo simulation. I wrote some code to drive
a MonteCarlo simulation program that is currently being used in the
HiRes group to simulate Extensive Air Showers. MonteCarlo simulations
use random number generators to simulate the scattering of photons
through the atmosphere. The HiRes detector and its electronics are
carefully modeled in the simulation as well as the characteristics of the
propogation of light through the atmosphere. The simulations that have
been run to date have been helpful but do not agree as well as we would
like to our actual data. In the next couple of months, I intend to focus on
a project that is aimed at understanding the current atmospheric models and
attempting to create a more accurate description for our simulations.
Filter Wheel Code
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|
I Did some work on a driver for a computer controlled filter wheel. The
source and documentation may be obtained here.
fw1_new_v2.tar.Z
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Documentation Project
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|
I have written a couple of short TeX documents describing some of the
work that I have been involved in with the HiRes group. Each document
is available in both Postscript and HTML formats. Documents were
converted to HTML from LaTeX using latex2html.
|
| Subject |
Format |
|
Filter Wheel Driver v2.0 |
Postscript |
HTML |
|
How To Process BigH Data |
Postscript |
HTML |
|
Matching HR2SLS to BigH Data |
Postscript |
HTML |
|
MC97_SLS: Laser Monte Carlo HOWTO |
Postscript |
HTML |
|
Atmospheric Horizontal Uniformity at HiRes |
|
HTML |
|
Course Work
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Dreams in
Film |
During the fall semester of 1999, I was enrolled in a film class
taught by Professor Chris Lippard that dealt
with dreams and their portrayal in the cinema. It was been an extremely
interesting class and far more complicated than the title of the class might
suggest. Early in the class, we read Sigmund Freud's Interpretation of
Dreams. We also had the chance to read the ideas from many
great phsychologists and dream specialists regarding dreams: people
like Hobson,
Baddely, and Eberwien. However, the most rewarding part of the class
was the chance to watch many great films.
- Sherlock Junior (Keaton, 1924)
- The Wizard of Oz (Fleming, 1938)
- After Life (Hirokazu Kore-eda, 1999)
- 8 1/2 (Fellini, 1962)
- Spellbound (Hitchcock, 1946)
- Wild Strawberries (Bergman, 1957)
- Freud (Huston, 1962)
- Rashomon (Kurosawa, 1950)
- Hiroshima, Mon Amor (Resnais, 1959)
- Last Year at Marienbad (Resnais, 1961)
- An Occurance at Owl Creek Bridge (Enrico, 1961)
- The Discreet Charm of the Bourgeoisie (Bunuel, 1972)
- Being John Malkovitch (Jonze, 1999)
- Dead of Night (Cavalcanti, 1945)
- The Company of Wolves (Jordan, 1982)
- Dreamchild (Millar, 1985)
I loved watching most of these films. I was really striken by the
images and ideas that were presented in these films. I remember watching
8 1/2 for the first time. I thought that it was so long and hard to
understand. But, as I watched it again, in order to get more information
to write a paper on the film, I was amazed at how much Human
emotion that the film consisely describes. Each of the films that we
watched were great.
Available below are the two papers that I wrote for the class. The
first analyzes The Wizard of Oz and 8 1/2 and how the
directory depicts the differences between the dream states and the
reality states in the film. The second paper deals with the portrayal
of uncertainty in both Pi and Last Year at Marienbad.
|
| Paper |
Format |
| On the Division Between
Reality and Dreams in Cinema |
HTML |
|
| Modern Uncertainty in the
Cinema |
HTML |
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