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The Whole Oye Oye Thing


Alright, this might be a stupid question, but remember the movie Tridev? It was 1989:

Paap se dharti fati....fati...fati....
Adharm se aasmaan...maan...maan...
Atyachaar se kaanpi insaaniyat...saaniyat,
Raaj kar rahe haivaan...vaan...vaan

Jinki hogi taaqat apoorv
Jinka hoga nishaana abhed...bhed...
Jo karenge inka sarvanaash...vanaash,
Woh kehlaayenge...
Tridev! Tridev! Tridev!

Hahaha, notice "taaqat apoorv" and "nishaana abhed" - oh, how desperate dialogue writers get, they have to mix Urdu and shudh Hindi to come up with lines! Yes, friends and neighbours, apparently that's the kind of language they speak on the streets of Bombay. Apparently Amir Khusro, Mirza Ghalib, Sant Tulsidaas and Mahakavi Kalidaas all spake a mixture of bolchaal Hindi and Bambhaiya and Allahabadi and Hyderabadi. Incidentally, the music during this Godly echoing monologue was ripped off from Pet Shop Boys' One More Chance.

Some clever 13-year-old in Bombay came up with this variation (as this was almost the same time as Uttar Ramaayan):

Paap se dharti fati....fati...fati....
Seeta andar chali gayee...gayee...gayee...
Luv aur Kush roye...
Raam bola OYE OYE!


...which brings us to the whole Oye Oye thing. Little did Gloria Estefan and The Miami Sound Machine know that their song Rhythm Is Gonna Get Ya would become so popular in India when it was ripped off for Tridev. Wow! They couldn't get enough of this song, so they had to make as many versions of it as possible for the same movie - luckily for them, the film was stretched into a 3 hour extravaganza, so they had enough space to shove in three different versions - Tirchi Topiwali, Tirchi Topiwali (Sad Version) and Gajar Ne Kiya Hai Ishaara (which of course is the most famous version). Tirchi... featured the tribal refrain from Rhythm...and the signature drumbeat (Dhub dhub, drrrr...ubdhubdhub!) while the actual Oye Oye was reserved for Gajar...

There are two kinds of ripoff songs: the ones that shouldn't have been ripped off (e.g., What Is Love from Gentleman copied from Haddaway's What Is Love?) and the ones that kick ass (e.g., Koi Yahaan Nache Nache, the Bhappi Lahiri version of Video Killed The Radio Star made for Disco Dancer ) The Oye Oye trilogy kicks ass.

Tridev had a kickass soundtrack. It wasn't just the three versions of Rhythm..., there was Gali Gali Mein Phirta Hai, which learnt a lot from the Pet Shop Boys theme they had going on throughout the movie and there was Main Teri Mohabbat Mein... one of my favourite love songs from the time. Of course it was, it features Madhuri! But the soundtrack wasn't all - they had something for everyone! A supervillain (Amrish Puri's Mogamboesque Bhujang), THREE superheroes (in case you didn't figure that out from the movie title!) - Naseeruddin Shah (Jaisingh, the country bumpkin), Sunny Deol (Karan Saxena) and Jackie Shroff (Ravi Mathur), THREE damsels in distress (which means none of the heroes have to die to solve any complicated love triangles) - Madhuri Dixit (playing Divya Mathur, Ravi's sister), Sangeeta Bijlani (Natasha) and Sonam. The pairing up: Shah+Sonam, Sunny+Maddy and Jackie+Sangeeta. The usual middle-and-end-of-the-eighties cast fillers include Anupam Kher (Commissioner Mathur, the mandatory honest cop), Raza Muraad, Tej Sapru, Dalip Tahil, Shekhar Suman, Rajesh Vivek, Sharad Saxena, Vijayendra Ghatge, Anjana Mumtaz and Ram Mohan. They have their typical cliched roles in the film. For example, Raza Murad is the corrupt minister (Mantriji), Sharat Saxena is inspector Suraj Singh, Anjana Mumtaz is the cabaret dancer (in your dreams! of course she was Ravi and Divya's mom!)

Cool characters in the film: Amrish Puri of course, even though this is his standard late 80s supervillain role, he was probably phoning it in all the time, still a really cool role, especially when he starts to sing Oye Oye with the chicks at the end of the film. Rajesh Vivek - he played Jogi Thakur, the bad dacoit guy in Joshilaay, and he acts dumb in Tridev - no, literally. He was cool, almost had dreadlocks, looked like.

The story: Oh well, let's not get lost in (lack of) details. The three heroes hate Bhujang for different reasons, therefore each reason warrants a flashback. In fact maybe Sangeeta Bijlani had a flashback too, she was dancing at the bad guys' place because she was a cop or some kind of an informer.

Anyway, the reason I was writing this all down... coming back to the whole Oye Oye thing. The minute the soundtrack was released, that song was on top of the charts. I was living in Bombay at the time, and everywhere in my neighbourhood there was only one song being played on everyone's orchestra loudspeakers. Well, TWO versions of the same song, but every kid I knew was yelling Oye Oye anytime they could. That's when this strange thing happened.

For some reason, there was a ban on Oye Oye?! The cops forbid anyone from playing that song - I don't know how long this went on, because I do remember it came back eventually. I remember hearing stories about kids yelling out Oye Oye and then getting into trouble with the cops... WHAT? Seriously? Maybe they were just rumours. Then there was the Chandraas Incident. Just before the bell for recess, Chandraas came into class, then as the bell for the first period after recess rang, he yelled out happily, "Oye Oye!" The next thing you know, our head mistress was in our class, asking real quietly, "Who was it who was singing... that song... A-O A-O just now?" And Chandraas stood up sheepishly, and she asked him to leave the classroom. A-O A-O??? Seriously? Was it that uncool for you teachers to even say the name of the song out loud?! THAT was how it was for a while. This song and the movie had the neighbourhood, the city and maybe even the country (alright, maybe only North India) by the balls, and everyone LIKED it. Well, everyone young liked it, that is.

Tridev kicks ass. If I had the patience and the DVD, I would watch it again!



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